![]() ![]() ![]() This paper relies on representation theory as a form of the theoretical basis of this research. ![]() This research utilizes Tzvetan Todorov's narrative analysis as a technique to analyze the content of the film and find the meaning of marriage in the narrative. This paper explores film Teman Tapi Menikah 2 (Friend but married 2), aiming to provide insight and cinematic representation about marriage by using descriptive qualitative. Thus, it is interesting to explore how marriage has been represented in the cinema. However, this phenomenon seemingly hasn’t reflected in the cinema, while many films portray marriage in their narratives. This high percentage of divorced coupled reflects the changes of social discourse on marriage in the society. Marriage it seems doesn’t look promising in the society. ![]() In 2020, the number of divorce case has increased to 6.4% from 72.9 million married couples. The divorce rate in Indonesia is increasing sharply, according to data from the Central Bureau of Statistics, it was recorded that 5.89% of the total 67.2 million household couples have divorced in 2015. This study focuses on the meaning of marriage which is represented in the film Teman Tapi Menikah 2 (2020) directed by Rako Prijanto. ![]()
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